While we were having lunch, the Seabourne Pursuit repositioned a short distance. We dropped anchor just off the Vanuatu island of Pentecost. A short zodiac ride brought us to the grey, volcanic beach. We were welcomed warmly and then got to sit around for a while until everyone had arrived. We were all here to watch the Land Diving (Nanggol). Boys and men jumping off wooden towers up to 30 m high. They have two tree vines wrapped around their ankles. These are just the right length so that, if all goes correctly, the jumper just grazes the ground with their shoulder.







A tight rope walker appeared. He was rather good. A vine had been set up a few metres above everyone’s heads. He walked along the rope. Walked backwards, turned around and balanced on one foot. That part of the entertainment concluded, we were herded up a fairly steep grassy slope. Benches had been set up around the base of the tower. I spotted a shady area a little further up the slope which looked ideal for taking a few photographs while staying out of the sun. As I made my way up there, I was stopped by one of the expedition team. “Are you part of the Image Masters group?”. No, I wasn’t. Image Masters is an optional Seabourn program. If you sign up, the ship’s photographer will spend time with you to help improve your skills. This had initially piqued my interest until I spotted the eye-watering cost. Anyhow, the shady spot under the tree was apparently reserved for these acolytes. Now, I am fairly sure Seabourn paid handsomely for us to attend the land diving. However, they did not actually purchase the hill and this was a public event. I explained this to the team member in terms that were much more polite than I was feeling. In the interests of keeping the peace, I did not go any further. Later, I noticed many people choosing to ignore the Seabourn rules. I also discovered that it was not the ideal position because of the way the cloud and sun were working and I went elsewhere.







The dancing, drumming and chanting started. A large group of people on the hill to the side of the tower. Rhythmically stepping from side to side. Many of the men had sticks like spears or javelins. The women held colourful bunches of variegated leaves. The divers were all up here and part of the dance. So were quite a few other people and the women. The sound of the drums and the chants rang out clearly across the hillside.
The origin story for Nanggol begins with a woman. She disliked her husband’s behaviour and ran off into the forest to hide. A vagueness surrounds the source of her dissatisfaction; however, she was definitely fed up of him. Her husband followed so she climbed a tall banyan tree. He climbed after her. She tied vines around her ankles and jumped back down. Her husband jumped after her but did not tie lianas to himself. Because of this oversight, he plummeted to his death. In respect for the escaping wife, the women of the tribe created the sport of land diving. The husbands, however, were not comfortable with seeing their wives in such positions, so they took the sport for themselves. Later, specifically designed wooden towers replaced the tree. The men continue to perform land diving so that they would not be tricked again







The nanggol ritual is associated with the yam harvest. It is performed annually in April or May. A good dive helps ensure a bountiful yam harvest. It is believed that land diving can enhance the health and strength of the divers. A successful dive can remove any illnesses and physical problems associated with the wet season. Also, land diving is considered a sign of masculinity It demonstrates the boldness of the warrior. Men who do not choose to dive or back out of diving are humiliated as cowards.
The time of yam harvest is significant because tower construction is best done during the dry season. The lianas have the best elasticity during this time. In 1974, Queen Elizabeth II came to see the spectacle of nanggol in the middle of the wet season. The villagers were persuaded to jump anyhow but the vines were not elastic enough. One diver snapped both lianas, hit the ground hard and broke his back. He later died in hospital







During the period of preparation for nanggol, the men seclude themselves from the women and refrain from sex. Women are not allowed to go near the tower. The spirit of the original woman who dived off the banyan tree still lives in the tower. She may seek vengeance, leading to the death of a diver. The men often prepare for their possible death. They will conclude any unsettled business or disputes. The night before the jump, they sleep beneath the tower to ward off evil spirits. The men must not wear any lucky charms during the dive.
The ritual begins with the least experienced jumpers on the lower platforms and ends with the most experienced jumpers on the upper platforms. This means that the first person to jump, before a large and expectant crowd, is a young boy. For boys, land diving is a rite of passage. After circumcision at about 7 years old, they can participate in the ritual. When a boy is ready to become a man, he performs nanggol in the presence of his elders.
The first lad to jump was obviously very nervous. He did well. After a couple of shy hand waves at the crowd, he hopped off the platform and landed nicely. This got him a round of applause. The next lad was equally nervous and had to jump from a higher platform. Each time somebody jumps, the platform on which they were standing collapses to help break the fall. So, each successive jump is higher than the last. Then came a lad who could not do it. He looked completely terrified. I felt sorry for him. It reminded me of at least one occasion when I was very young and very scared. After a long pause he climbed back down. I hope he was not treated too badly.







The construction of the tower takes several weeks. Up to thirty men help build it. They cut trees to construct the body, clear a site for the tower, and remove rocks from the soil. Several platforms stick out 2 m from the front of the tower, supported by several struts. During the jump, the platform supports snap, causing the platform to hinge downward and absorb some of the force from falling. Vines are selected by a village elder and matched with each diver’s weight. The vines need to be supple, elastic, and full of sap in order to be safe. The ends of the vines are shredded to allow the fibres to be looped around the ankles of the jumpers. If the vine is too long, the diver will hit the ground hard. If the vine is too short, the diver might collide with the tower.
Before dawn on the day of the ceremony, the men undergo a ritual wash. They anoint themselves with coconut oil and decorate their bodies. Men wear nambas. A traditional Vanuatu penis sheath. We had already encountered the chiefs wearing nambas in the morning. The two tribes on Malakula (2nd largest island in Vanuatu) are called the Big Nambas and the Small Nambas. They are named for the size of their nambas. Women wear traditional grass skirts and go bare-breasted. Only the men are allowed to dive, but the dancing women provide mental support.
In the mid-nineteenth century, missionaries came to Vanuatu and persuaded the natives to stop land diving. Being missionaries, their tactics for persuasion were probably very direct and unsubtle. By the 1970s the missionaries had gone off to annoy someone else and a righteous anti-colonialism spirit was arising. Nanggol is now seen as a way to demonstrate and reinforce cultural identity.







I moved to the other side of the seating area to get a better view. Each successive jumper was getting older, more experienced and higher up the tower. Each successive jump was more serious. Finally, we got to the very last jump. Right from the highest point of the tower. It was impressive. A long, long way to fall. Must take nerves of steel and the confidence of conviction in the tower, the vines and all the preparation. After a wave at the crowd, he clasped his hands across his chest, leant forward and pitched headfirst off the platform. It really was a long way to fall. I had time for several photographs as he plunged towards the ground. The was a snap from the platform and then the whole tower whipped forwards. He touched the ground and then was pulled into the soft soil below the tower. A perfect jump.
You may have noticed a similarity between nanggol and bungee jumping. The first modern bungee jumps were made in 1979 from the 76 m Clifton Suspension Bridge in Bristol. The students, Kirke and Keeling of the Oxford University Dangerous Sports Club, came up with the idea after discussing the “vine jumping” ritual of Vanuatu. Organised commercial bungee jumping began with the New Zealander, Hackett, who made his first jump from Auckland’s Greenhithe Bridge in 1986. Since then, bungee jumping has become a world-wide, lucrative business. The cultural appropriation has never been recognised or compensated for. In 1995, the people of Pentecost Island, with the support of Vanuatu’s attorney-general declared that they would endeavour to get royalties from bungee jumping enterprises because they viewed the tradition as stolen. I have no idea whether anything ever came of this.
With that we were done. The jumping had taken all afternoon. Everyone made their way back to the beach. The sun was starting to set as we headed back to the ship.







